PROJECTS
Their work moves fluidly between theatres and non-conventional spaces, adapting movement to radically different contexts while preserving a core intensity. Sound, space, and the body collide to create immersive experiences that reshape perception.
Challenging structure and convention, their practice creates room for distortion, rupture, and escape. Each project becomes an experiment, using movement to bend time and perception, resist the ordinary, and reimagine how the body connects to its surroundings.
Dancefloor First
SlapFunk 15Y Campaign (Amsterdam) – 2026
This project is a collaboration with SlapFunk Records and Studio Airport for SlapFunk’s 15-year anniversary. The campaign pays tribute to the dancefloor and the community that animates it through energy, expression, and movement.
At its core, the body becomes an extension of sound. Music takes shape through motion, turning the dancefloor into a shared space of freedom, diversity, and presence.
As Ca’ Mon Dance, we contributed dancers and movement direction, translating SlapFunk’s sonic identity into physical expression in dialogue with Studio Airport’s visual world. An ode to the bodies and souls that give life to the dancefloor.
HABITABLE NOW
Palet Festival Lofi (Amsterdam) – 2025
Habitable, Now explores the body as more than flesh, as a living space that carries and transforms experiences.
Through movement, we investigate how challenges reshape us and how the body adapts, finding new ways to move and be. Every struggle becomes ground for growth, creating spaces we can truly inhabit.
CHOOSEN DISTORTIONS
Palet Festival Lofi (Amsterdam) – 2025
In a world that chases perfection and control, a glitch is often seen as a failure. But what if the glitch is not a malfunction, but a shift where something unexpected breaks through? Like a prism, the glitch splits the narrative, distorting the smooth surface and revealing colour, depth, and possibility. Not less, but more.
This performance explores the glitch as a metaphor for emotional and psychological rupture the moments when our inner structures collapse: burnout, heartbreak, grief, confusion, desire.
NOVAE ECHOES
Time is the new space (Rotterdam) – 2024
Novae echoes is a dance performance that explores the connection between cosmic forces and the human body, reflecting on movement as a form of creation and transformation. Inspired by the life cycle of stars, it invites the audience on a journey beyond reality symbolizing personal growth, transcendence, and the powerful energy released through change and renewal.
SHIT HAPPENS IN EVERY CITY
(Madrid) – 2023
Shit Happens in Every City is a collaboration with director Imanol Ruiz de Lara and Antiestático, where I direct choreography, text, and movement. This audiovisual project turns the body into a narrative vehicle, moving through urban chaos, routine, and untold stories.
My role was to integrate movement with the camera, using physicality to shape narrative and atmosphere. More than dance, it captures states, tensions, and transitions that reveal urban life’s complexity. In this ever-changing cityscape, the body is both witness and protagonist, merging with the camera to create a language beyond words.
BASHDOOR
La Victoria Absurda, Teatros del Canal (Madrid) – 2022
Suicide remains a growing yet often avoided issue in contemporary society. Through movement, this work explores its complexity and ambiguity, as well as its social, religious, and political implications.
The piece moves beyond moral judgment, focusing instead on the conditions of despair that can lead to it. If life loses its meaning, is it still worth continuing? As Albert Camus wrote, “Judging whether or not life is worth living is the fundamental question.”
Developed for Teatros del Canal (Madrid), this project was created in collaboration with Allan Falieri for FM Art Collective and performed by three dancers. It marked a pivotal moment in my artistic journey. In a world shaped by ongoing social crises, I believe art must confront uncomfortable truths, challenge stigma, and spark collective reflection.
URIZEN
Teatro RESAD (Madrid) – 2021
Urizen is the central figure in William Blake’s painting The Ancient of Days (1794). The composition of this figure led me to study the work in depth and to explore its meaning as a starting point for this new creation, originally developed as a project for the Royal Professional Conservatory of Dance in Madrid.
The principles of art are a set of guidelines that shape the impact of an artwork on the viewer: unity, variety, movement, balance, contrast, proportion, and pattern. William Blake managed to encapsulate all of these principles within a single image, which is why The Ancient of Days is considered a masterpiece.
UP & DOWN
Teatro RESAD (Madrid) – 2019
Nothing is more universal on this planet yet more misunderstood and questioned than love. It transcends language, race, and borders.
A force unlike any other: motivating, inspiring, capable of driving us to the edge of madness or lifting us into pure euphoria. That feeling so exclusive, so necessary, so deeply desired… love.
Up & Down offers a personal vision of love, revealing what it can awaken within us a battlefield of sensations and experiences we encounter when we collide head-on with this powerful emotion.
Passion confronts coldness. Affection clashes with apathy. Respect flirts with lust. This emotional festival leads us through different forms of relationships: romantic, empty, fleeting, unforgettable each one shaping us, leaving its mark, and redefining how we connect, fall, and rise again.
